Showing posts with label fairysurreal. Show all posts
Showing posts with label fairysurreal. Show all posts

Friday, May 1, 2015

Beloved New Orleans



Ah, New Orleans, my Beloved, the City that Care Forget, the City that Time Forget.

The first time I ever fell in love with a place was when I first walked the heavily shaded streets of a city the like of which I had never even dreamed existed.  I was a child of the modern suburbs.  I remember a stirring of similar feeling when I had briefly visited Savannah as a child, but I had never truly felt the deep love of a place like I did during the days I lived in New Orleans.

New Orleans has a reach deep history.  The streets are peopled with stories and legends.  You can take historical tour after historical tour and only get a brief taste of what is to be savored.

The architecture is unlike anything that you see in most of modern America.  A local historian once described it to me as the northernmost city in the Caribbean.  The iron wire work of the balconies and galleries is beautifully intricate.  The stonework has a deliciously aged patina.  The colors of the cottages are bright, even garish.

It was something so far outside my experience as a teenager on the brink of adulthood, but something about it just felt like home.

Still, we are talking about a city that is below sea level.  A city that is really little more than a swamp just waiting to happen.  Disaster after disaster have struck the city over the centuries, from devastating fires, to epic plagues, to the fury of monster hurricanes.  The city stands.

"Laissez les bon temps roulez."  Pour me another round.

How can I help but love that irrepressible, unrepentant attitude?

I've lived in Baton Rouge for several years now and I have grown to respect and enjoy the capitol city very much, but every time I get a chance to visit New Orleans, I take it.  I come away with a renewed love, a little bit of heartache, and unstoppable homesickness.

I've been playing a lot recently with mixing contrasting images from my photographs.  The past few days I was scrolling through a series I shot in the Lafayette Cemetery in the Garden District and was struck afresh by the beauty of those centuries old tombs: the patina of the stone, the exposed brickwork, the greenery that cannot be repressed and finds the cracks and crannies and insists on flourishing where there would otherwise only be death.

I juxtaposed a few of those tombs with the vibrancy of the downtown French Quarter but with, "Beloved", I took it in a different direction.

The finished piece almost looks like an odd bit of graffiti on a brick wall but it's pure mixed media showcasing the texture from different tombs in the Lafayette Cemetery.

If you ever do make it to New Orleans, I cannot recommend enough a visit or even a tour of one of our local cemeteries.  Better known as "Cities of the Dead", they are an experience all their own.  The Garden District tours I have taken spent a little too much time on the comings and goings of some of our local Hollywood residents, who move in and move on.  The Garden District itself is amazing with large opulent homes dripping with expensive elegance, but my favorite part of the tour is always the cemetery.

Maybe I'm a little dark.  Maybe.  But life in New Orleans always has that edge of darkness, knowing that disaster can be just around the corner.  Just put on your best party outfit and pour another drink.

Always remember.  "Laissez les bon temps roulez!"



Tuesday, January 13, 2015

Dark Annie



This is the second piece in my Jack the Ripper series.

The brutal murders by Saucy Jack have been debated and remembered, almost glorified, for the 125 years since he killed at least five women in the impoverished section of Victorian London, known as Whitechapel.

His victims are little remembered or, oftentimes, completely altered in the fictionalized world of Jack the Ripper literature.

His victims were all prostitutes.  They were alcoholics.   They were eking out the most tenuous of existences in a time and place that gave little thought or concern for the poor, especially women.   Life had been hard on them, but they were surviving.  

They got up every morning from a pallet rented only for the night and went back out into a world where they had to earn money daily to pay for their food, their drink, and another hard pallet on another crowded floor if they didn't want to sleep on the cold street.  They were struggling against difficult odds.   They did what they had to do to make it through another day.

Jack murdered women that had already been victimized by  their time and their circumstances.  They deserve better from us.  

Dark Annie (aka Eliza Ann Smith) was born in 1841. In 1869, she married coachman John Chapman. They seemed to have gotten along well enough, living in London and having three children together, although their only son John was disabled.  Annie's husband took a post as a coachman in Windsor, and then their 12 year old daughter died shortly thereafter of meningitis.

Both turned to drink, more and more heavily. By 1884, they separated. Her husband died in 1886, leaving her without financial support so Annie took to supporting herself via prostitution.

By 1888, Annie was herself dying of a lung and brain disease but she continued to eke out an existence in the dark world of Whitechapel until her murder on September 8, 1888 in a brutal and horrific style.

Annie Chapman, you were haunted by events in your life.  You loved and lost two of your children.  You were dying of a slow and painful disease.  I know that you deserved a chance to make your peace with this world before you left it.  You deserved better than a brutal death on a dark night.  Good bye, Dark Annie.  Rest in peace.

Tuesday, July 15, 2014

ode to Ben


Oh la la!  Is there anything more Parisian
than a lightning storm?

All our mademoiselle needs is a beret
and possibly a bit of sense!

I've always loved this 1899 photo of the Eiffel Tower
being struck of lightning.  I embellished it a bit.

This darling Scandinavian Victorian girl
had a lovely French look to her.

And, when I think lightning storms,
I often think of dear ol Ben Franklin 
with his kite in the storm!

Thursday, June 12, 2014

Freedom Blooms


Time has been in short supply this week so my ability to log any art time has been far too short.

My children are in art camp so I've spent most of my past week there.

I have a pile of prints that need to be matted for my next art market.

I have my steady stream of orders to make and fill.

Finally, we have a scheduled meet of the Renaissance players on Saturday.

My poor blooming fellow!  I suppose it's a wonder that he was finished at all.

This is one of those pieces where all I knew going in that was that I wanted a goldfish bowl where his head should be and his head where the goldfish bowl would be.  Everything else remained to be seen.

I added details, like walls and cranes.  None of them worked.  I tried bars in front.  Bars behind.

I added a keyhole in front; a keyhole behind.  There is something about the intrigue and mystery of a key and a lock that always tempts me.

After tinkering and moving, tinkering and moving, several days later, it finally came together!

Which side is real freedom?

Don't fret, my friend, you have the key if you know where to look!

Tuesday, June 10, 2014

Travel via Bathtub


Twas a little girl
who was adventure bound
she pushed her tub into the sea
and changed her whole world
as soon as she saw what lay beneath!

Sunday, June 8, 2014

Thursday, June 5, 2014

Under Lock and Key


"I've spent all my life, on a search to find 
The love who'll stay for eternity 
The heaven sent to fulfill my needs 
But when I turn around 
Again, love has knocked me down 
My heart got broken, oh it hurt so bad 
I'm sad to say, love wins again 

So I placed my heart under lock and key 
To take some time, and take care of me"
               -Deborah Cox